following up on the success of patrice scotts orbital bliss ep, sistrum moves further into the exploration of modern electronic music with the 2nd installment of the aphotic segments series. as always, quality is the key and deep vibes are the order of the day.

2014 repress !! we think we do not have to introduce sven weisemann, but for all of you who are not familiar with his work... sven has released on top labels such as delsin, smallfish, echocord, liebe detail and maybe the label he is mostly associated with is mojuba records, which is based in berlin. his release for telrae starts with elapse a track so detached from everything and at the same time so earthly, it gains that mystic touch some trax radiate. it is again a timeless track on telrae what we think is a quality we strive for. light sway seems harder at first but turns out to be more melodic and light than elapse and so the title fits it just right!

twelve years ago tresor records released terrence dixons debut album >from the far future< - a personal homage to the art and ancestry of techno, culminating in a discursive and dream-like course through the genres many tomes, complete with subtle nods to key protagonists such as kraftwerk, derrick may and juan atkins. a luminescent and ethereal catalogue of tracks awash with shimmery synths and taught rhythmical programming - that still holds true today, >from the far future< made for a stunning first full length that cemented dixons already proven credentials from his population one work and utensil records foundations. after a string of stylistically rich releases - including another album, >train of thought<, this time for cologne-based label yore records - the detroit native returns to tresor records with >from the far future pt.2< - an ambitious, scopey and deeply personal sequel.

two stunning slices of mercurial and heartfelt british techno from two outstanding northern producers that cuts across the m62 corridor like a night drive into oblivion. a 10inch black hit of space, lovingly designed for the dark, sweaty basements of provincial, post industrial towns and the cold light of day in the car park of knutsford services.

the nippon express is a series of two releases by wellknown artists from japan. release one comes from imugem orihasam (sistrum recordings, new kanada, steadfast) with a harder interpretation of acidic dub techno.

nice price deal !!! 10 inch limited edion, hand stamped, vinyl only , limited to 200 copies

transparent blue vinyl pressing.

cazumas yume is a delicately balanced trip, from a broke, raw groove towards the light. striving upwards all the way, higher through beautifully orchestrated pads, strings and chants. if you flip the record, you will find envie by mr raoul k. if you know raouls sound, you would probably find this one to be on the clubbier tip. bulding from a groove of raouls patented percussive arrangement comes an electronic sandstorm, from tiny stabs through a full on and freaked out break where the mighty beat is totally lost. and then back at it! this is really one of those tracks that you cant help yourself from playing whenever control is lost on the dancefloor, a gateway to the crowds inner animal.

>the fall of the empire< is a tough and unyielding release that continues both pfirter and mindtrip s run of form. >the fall of the empire is imminent< is raw, powerful and tightly wound. it holds an almost familiar sound, something that brings memories of techno from years gone by, but with the added depth, intricacy and attention to details that juan pablo pfirter lends to all his productions. markus suckut remixes on mt-02 and brings his stripped sound to his rework of >multiverse<. keeping things simplistic and functional, markus finds the groove, toying with bass throughout the track and letting the loop run for near seven minutes, gently tweaking fx and eq in the light-handed and tender manner he become known for.

though >the duke< is a tribute album, it is also very much a joe jackson album, consistent with his long-standing sense of musical adventure.
>i revere duke ellington, but i didnt want this to be a reverent album,< joe jackson says of >the duke<, his new tribute to american jazz giant ellington.

celebrating a landmark tenth release, biscuit factory records brings two absolute stompers. the a side is creature, a laxx and farkas collaboration. on the flip laxx and soap dodgers team up with hi rolla. creature is a 4x4 combo with a smooth hypnotic vocal that drops into a heavy bassed, techy roller. the biscuit factory is set to full speed on this one with industrial synths and weighty stabs crashing over the raw upfront bassline. hi roller is a dance floor club smasher. dark robotic basslines and pure weight make this a perfect flip to creature. the low sub bassline and hard punchy drums combine with light melodies in the breakdown to make a track that turns speakers inside out and shreds clubs to pieces. creature and hi rolla have been a staple in walshs sets over the last few months, destroying raves across europe. huge support also coming from n type on his weekly rinse fm wheel and deal records show, hatcha (kiss fm, sin city recs) and skream and benga (bbc radio 1).

after the club tropicana sounds of bang the bomb its time to roll the sleeves up and get down to the business end of this trip. touching down on planet subturanus in search of the real underground shit light sound dark do not disappoint digging deep into its core and excavating strange alien like sonics which had previously been lying dormant.

having both previously released on phuture shock musik, garage experimentalists roof light and lostlojic return to share the honours on a split single set for release on the bristol label. always one to maintain an eclectic approach in his work, surrey resident roof light returns to his forward-thinking best, offering up >pearl< - a sultry number, where jerky beats intertwine with fragmentations of female vox that saunter through swathes of synth pads, glitchy blips, and warm dubby bass. on the flip lostlojic continues the regular theme of passion in his music, bouncing back with >so much<, another r&b inflected dancefloor gem, incorporating a saccharine vocal hook over a bed of lush rhodes chords. soulful as ever, and riding a 4/4 rhythmn just beyond the familiar 140bpm region, this tune premieres a departure from the typically cold, brooding style that the ukraine based producer is known for, to something more suited for the warm summer nights.

if you havent heard the name versa floating about recently, where on earth have you been? this talented young producer has been making some seriously deep, soulful music that has been supported by some of the biggest names around. versa has recently remixed a biome record >swan< out on smokin sessions that has is sure to be a hit record, as well as being deep heads focused artist, to name just a few reasons this boys name is flying around soooooo much. he is one to watch for sure! here are 3 tracks that show case versas more techno, dubby productions that are just masterfully engineered.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

this lust und freude release by rodrigo polder aka re- light from santiago de chile is a jazzy-house style ep perfect for the summer season ready to spread the joy and make the sun shine brighter.

unreleased egyptian jazz: 2x45s set in a unique hand-printed fold-open pyramid! four sides of previously-unreleased ethnic mythic mystic jazz from the legendary egyptian drummer! before the re-release of his album with the cairo jazz band recently, the name salah ragab was best known to jazz fans and record collectors by way of another lp that was recorded with sun ra in the early 70s. his album >prism music unit< with the cairo jazz band was released in egypt with another by the cairo free jazz ensemble, but perhaps only salah himself knew of the other songs he had recorded at the time, but didnt make it onto these lps. the tapes lurking for decades in an old trunk, its taken until now for them to see the light of day, and we present them here as four amazing pieces of egyptian jazz on 2 seven inch singles. entombed within a hand-printed, hand-made pyramid shaped box, this is the first time in 40 years that these recordings will have come to light. ladies and gentlemen, behold the splendor that is salah ragab and the cairo jazz band!

nach touren rund um den globus kehrten eleanore und jason zurück in ihr abgedunkeltes studio und arbeiteten an dem hypnotisierendem nachfolger zu ihrem beeindruckenden debüt. >red night< wirkt wie eine meditation über trennung und wiederfindung, über fast verloren gegangene liebe und die lang nacht zu ihr zurück. der thith sound vermählt furchtlos minimalismus und abstraktion mit grossartigen melodien. eindringliche stringarrangements werden von treibenden rhythmen und eleanores faszinierender stimme überrannt. >red night< ist ein trip durch die schwarze grossstadtnacht, in der zeit sich dehnt, geschwindigkeit bricht, und gitarren in donner und herzklopfen eintauchen, bei immer intensiver werdenden vocals, je länger die nacht dauert. nach jüngsten auftritten mit odd future und kid cudi, mit den yeah yeah yeahs, james murphy und squarepusher werden thith jetzt auch bei uns ihr neues album ausgiebig live präsentieren!

positive merge (aka andrey lanovoy) is talented ukrainian techno producer, inspired by a minimal fine sounds with light effects of minimal techno and crazy dark bass with groovy loops of european techno, founds his style in music.

smith & mudd are back in fine style on claremont 56, following up their excellent lp with this great double header! >sauna love< is the lead track, an uptempo, string laden boogie house affair with great vibes, bass, strings and punchy percussion all rolling along into the sunshine. on side-b >the surveyor< is a great piece of otherworldly electronic music, coming on like some weird cough medicine induced dream. the bass pulses along with mystery dialogue, light key flourishes and an intent that is delivered about 5 minutes in when the kick drops and the whole thing shifts into a latenight, alt disco bomb.

das indie rock-quartett the plea stammt aus dem kleinen irischen dorf ballyliffin, und nachdem sie im letzten jahr die ep >nothin but trouble< veröffentlichten, erscheint nun ihr debütalbum auf planet function. produziert und abgemischt wurde >the dreamers stadium< von chris potter, der unter anderem auch the verves >urban hymns< oder i am kloot produziert hat. the plea überzeugen mit druckvollen, hymnischen songs voller hingabe und dringlichkeit.

soon-to-be-stadium rock ... it could be played to fireworks on the pyramid stage at glastonbury. (q magazine)

the prism is an aluminum cube, small enough to fit in your palm. it was designed by nicolas jaar as a new medium for releasing music. the first release - csa001 - features twelve (mostly) unreleased songs from jaar and other clown & sunset collaborators. the prism is a piece of art in and of itself, its contents beg to be shared. twin headphone outlets encourage connections to the object and between the two listeners. the prism tries to restore physicality to the listening experience. the medium and the method are as important as the music itself. the prism makes you consider how the music is being heard, the way the object feels in your hands, and its potential to foster intimacy between listeners. when the prism is unplugged, a beam of light passes through the empty center, revealing a void. someone is missing.

foul & sunk, the swiss-german house-imprint based in freiburg and zurich, rings the bells for round 4 with the eriswil ep by jagged, a spunky release that blushes your cheeks like a strong sip of bernese apple brandy. and bern is the code word that sheds light on the origin of jagged: behind the name hide three veterans of the swiss house music scene - the djs and producers benfay, jay sanders and zukie173, who emerge from the vicinity of the now discontinued freestyle label a few among others, whose founder was zukie173. as jagged, they are releasing house music built upon hard-hitting drums, sinister bass lines and soul-drenched instrumentation for over four years by now. they debuted on quintessentials with hello kool nice in 2008, and didnt lose their gritty energy since then. now, theyre back on foul & sunk with eriswil, a deep rolling, dark monster that also gets a remix-treatment by the abstract eye

here we have the third and final installment of session victims haunted house of house lp sampler. soul clap declared it beautifully diverse - best dog in ages! dop, james teej, catz n dogz and tornado wallace said superb, inspiring, fantastic and bloody ripping respectively. enjoy part three, full of deep, sample-heavy house and leftfield beats

2012 is the time for john lord fonda to come back to the light, starting with a huge techno ep >bang the fire!<, including two original tracks bang and >heaven s on fire< both with a minimal techno imprint. this new release is the first extract from his forthcoming album, scheduled for 2012.
>bang< open the tracklisting, a classic john lord fonda track, energetic like always as even if he takes time, he drives us in the end in huge orgasmic breaks, quite intensive…,. then we continue with a kazyo (from teenage bad girl) remix that delivers a dancefloor epileptic killer version. electric rescue is fascinated by the energy of techno music, so he did a very minimal but powerful version.

for the boxer jubilee, we have organised a top-class heavyweight fight: martin eyerer, head of kling klong, and florian meindl, chief of flash recordings, have entered into the boxing ring for a two-round title fight: in the first round, >the rush< — supported by tactical advice given by the trainer — is a fast and merciless series of left jabs followed by sappy, powerful uppercuts and hooks that leave the opponent completely unprotected. gong after a short break, the referees gives the command box, and the showdown starts again: >slow groover< is as light-footed as muhammad ali at his best: always on its toes, full of grace, and with surprising and powerful left-right punch combinations that often end up in a clinch. and with resounding applause, a technically ambitious two-round fight is over, and there are no losers, only winners. so, raise your fist, get your boxing belt on, and meet you on the dance floor…

ramona still gets plenty of mileage from massimiliano pagliaras wonderful and critically-acclaimed album focus for infinity. thus you will find the second 12 inch of top-quality remix action right here: from acid romantics to reggae house. this time removed from all links to producers from frankfurt, but injected with international rollercoaster sounds.

with their feet firmly positioned on dutch soil, the heads and hearts of dam swindle are nonetheless rooted deep into the soul of the motor city, and this ep of finely crafted grooves on jimmy posters and huxleys fledgling saints & sonnets imprint is as brilliant a reflection of their obsession as you could expect. >the wrap around< combines a killer vocal hook with a silky line, but its the bassline that marks it out, coming in with a thudding bassline that twists itself into all manner of unfiltered goodness at the halfway point. >pain tomorrow< meanwhile prefers to let its skipping percussion do the talking with a bumping chord led groove that would put mcde to shame. the ep is rounded off with a killer remix of the title track from deleusions of grandeurs pattern select, turning in a sparse reworking which transforms the light original into a throbbing piece of basement house.

nice price deal !!! the record opens with “origins”, and we hit the ground running with an obese bass-line dipping through a sparse rhythm .this is a deeply touching jack-attack, infused with stripped-down, cold-wave hysterics and touched by that very distinct meschi charm. science-fiction synth-lines smash through a rugged beat, wailing at you with such force that you can’t help but take notice.

nice price deal !!! finish copy promos housed in a reverse board sleeve. ep#2 is here, swiftly following on from ep1 which is pretty much sold out, here we have arguably goldffinchs most sought after material originally brought to light via loefahs rinsefm shows and subsequently garnering support from boddika, mary anne hobbs, 2562, jackmaster, benji b and more. these boys are on fire right now and in our eyes have pretty much nailed it in terms of the now-sound! act quickly on this one!

second release on this promising french label.advanced industrial techno as we like it!inspired by an anticipated post-apocalyptic future,polar inertia formed their duo in 2010,they swiftly pointed themselves in the direction of an extremely contrasted music, both heavy and delicate. evoking a sci-fi end-of-the-world countdown scenario, the two artists of polar inertia decided to move aside,and make way for an imaginative and poetic world based on the words of a mysterious narrator. this is the first episode of polar inertia,and our second release on dement3d records.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

more stunning beats from the man (?) like rrose... comes on black wax in printed inside and out sandwell jacket. in stark contrast to his recent work >the merchant of salt<, rrose takes us way, way deeper with this brilliant new 3 tracker. perfect warm-up / cool down material on offer here - bound to go down well after his (?) recent and very well received live set at berlins berghain.

the second single from francis harris debut full length, leland contains three remixes of pharoah in the morning,one of the highlight tracks on the album featuring the phenomenal vocal talents of danish singer gry who performs here in here native tongue. two entirely distinctive remixes come courtesy of labelmate black light smoke and the other is by nsi.,who should need no introduction.pharoah in the morning remixes will be out on limited edition vinyl from scissor and thread soon.look for leland in february 2012.

amsterdam label, rejected are proud to announce a special remix of techno pioneer moby from their very own head honcho, joris voorn. the on-fire producer has delivered a brand new re-work of >after< taken from the american stalwarts tenth studio album, destroyed which has since seen a series of remix packages through the little idiot label. now, joris remix will be made available through rejecteds limited edition of 500 12 inch vinyl copies.
taking mobys original, joris injects a club sensibility with rolling bass and punchy beats. instilling his unique feel for dancefloor-funk, the dutchman adds plenty of soul to remix, leading the original away from its darkened edge and into the light. subtle melodies and progressive keys build purposefully throughout the track to deliver yet more party fodder from joris voorn and rejected. this will keep you dancing after the after!

first available only on decks.de!!
-all it takes- ist die lang erwartete dritte single von marquez ill auf voltage musique. das warten hat sich gelohnt, denn dafür konnte er mit ?bright light bright light? einen der momentan angesagtesten sänger londons gewinnen. mit einer prise house und

from the unlikely bass music hotspot of austin, texas, the mighty vvv returns to fortified audio with his strongest material yet in the form of his – and the labels – debut album. if you slept on the projects ep we released in 2010, nows the time to get acquainted with the dynamic progressive garage thats garnered praise from the likes of martyn and oneman. while still giving nods to the classic sounds of ghost, early tempa and vintage dem-2 productions, across the sea updates these formats with deep and futuristic synth work, subtle but weighty basslines and precision rhythms that mark vvv out as one of the most formidable producers working in the crowded field of bass music. this time around its not only the future sounds of london that are present, but also the ghosts of classic chicago house, richard d james-esque electronica and an ethereal contemporary soul sound. across the sea showcases the strongest work to date from a guy we consider to be one of the best in the game

other heights brings the debut ep from ghostek, one of the young pioneers in the postdubstep-era. next to his own ?cryon?, it features an intense collaboration with roof light as ghostlight and a remix of his favorite track from th. eerie, deepness and a little blend of darkness straight out of the russian forests marks this first exciting release.

coloured edition other heights brings the debut ep from ghostek, one of the young pioneers in the postdubstep-era. next to his own ?cryon?, it features an intense collaboration with roof light as ghostlight and a remix of his favorite track from th. eerie, deepness and a little blend of darkness straight out of the russian forests marks this first exciting release.

nycs adultnaper with his freaky techhouse definition and h.o.s.h. on the remixside

florence and the machine ist eine englische band um singer-songwriter florence mary leontine welch zusammenarbeit mit anderen musikern. das debütalbum lungs wurde am 6. juli 2009 veröffentlicht und erreichte platz eins im vereinigten königreich.

nice price deal !!! support from dj deep, tokyo black star, brothers vibe, andre lodemann, creative swing alliance.

persnickety sounds is here to funk-ti-fy your world!
in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.
let the labels fall and just get it movin!

if ever there were more committed and fervent neighbours within the house and disco community today, then house of disco records would be flying the flag loud and high in the front garden for all to see.

the black dog are a legendary live act whose ability to destroy venues and wreck soundsystems is undeniable. they blur the boundaries between djing and performance while possessing an excellent sense of where to take the crowd. live, they represent purist techno, which is also utterly crowd pleasing. on record, tbd are famous for delivering subtlety, emotion, and intellectual richness, as well as great tunes, but never in their career have they managed to convey the sheer visceral impact of their performances as on liber dogma. this album contrasts with last years extremely well-received ambient outings on music for real airports and the dadavistic orkestra collaboration with members of the psychick warriors of gaia. while none of the bands artistry and care has been lost, there is now a greater focus on a pure, and utterly exhilarating, vision of how techno can transform the dancefloor into a realm of complete pleasure.

this voyage starts … in deep euphoria! consistent with the previous aesthetic audio releases, yasuo satos (japan) formula for the number 13 release from aesthetic audio is an wonderful rollercoaster of deepness, raw substance and timeless music that clearly will keep heads nodding … can you see the light?